Page 8 Cricket thought he might go outside and fill the can from the hose, but it was January, no more than ten degrees outside, the sky frozen and white, the trees terrified and bare.
Page 10 “You are contained,” Silas said. “You can visit with your mother, or spend time with me. Or you can go into the world outside and look at its endlessness. And always you have the life you can conjure on your own. You can produce beauty there in your notebooks, from scratch. And harmony. Chaos outside, order on your paper. Right?”
Page 15 Cricket looked at her and thought he recognized her. A grade above was another world. He saw those kids as he saw adults, teachers, cops. But she did look familiar. The boy, though, he didn’t know. He might be from out of town, a far more dangerous category of teenager. A teenager from out of town was capable of anything—even murder.
Page 28 But he circled and ovaled for a minute or so, and though his lines were more tentative and did not have Oana’s flourish and accuracy, in the end he created a general shape not unlike hers. He blinked rapidly at his drawing. It was, already, unlike anything he’d ever done. It was much like hers, and it was like the objects in front of him, and yet it was somehow his.
Page 36 He convulsed, and she massaged his head with her hands, round and round like a planetary storm.
Page 52 Jed had been held back, then kicked out and now attended the Boys Academy, a gloomy campus on the edge of town where the most wayward and unpromising young men went. Jed’s father was a cop.
Page 94 “I’m really glad you could come today,” she said, and put her hand on his. It was very warm and his childhood ended. Now he was a young man who women touched suggestively at the track.
Page 96 He closed his book, reshelved it and left the library through the side door. The door boomed when he opened it and whispered when it closed.
Page 96 Outside, the air was cold and crisp and hit him like love. The ancient trees stood over him, nodding in quiet tribute. When he got back to work, the Whistlestop smelled of cigarette smoke and snow. Jed was sitting at one of the dinettes with a woman of about twenty-two.
Page 135 He drew the log truthfully and stayed until dark. When he was finished he examined his work, feeling like the day could not have been spent in any better way. The day was gone but the drawing would remain. Art was remembering, documenting. Spending a day recording a day and thus freezing time.
Page 157 ...and the surfaces were alive, were untamed and varied and rewarded close inspection.
Page 166 “I recognize that many among you are not draftsmen. You are not interested in rendering the world as you see it. That is fine. The art world, in the last century, has made room for those who cannot draw. But I would ask that you, that we, resist a new, paradoxical tyranny wherein those without technical skill terrorize those who possess it. When we hound certain kinds of artists out of this school—hound out the most naturally and classically skilled, lord help us!—we engage in a kind of upside-down artistic fascism that reminds me of Pol Pot purging his country of intellectuals.”
Page 168 “Beauty justifies itself!” Carpenter yelled. “There is a perfectly inverse relationship between talent and the need to explain itself. The artist’s only rational response to ‘Why did you make this?’ is ‘Because I wanted to’ or ‘Because it felt right.’ Everything else is sophistry!”
Page 168 You have been fed the lie that intent is achievement. It is not. You have been fed the lie that explaining your ideas is the same as realizing them. It is not. You have been fed the lie that people enjoy looking at theories and gags and pranks. They do not. You have been fed the lie that your peers’ success means your failure. It is not. You have been fed the lie that greatness emerges from cruelty. This has never been true and never will be true. These group crits have no purpose and accomplish nothing. They kill the heroes and reward the scavengers. They must end.”
Page 178 As professors, they’re forced to talk, which leads to pronouncements, which lead to theories, and theories become rigid and quickly ridiculous.”
Page 189 And I had an anthropologist friend—he’d studied people all over the world for fifty years. He said the happiest people, in every society and every era, were those who created things, but without ambition. The people who make belts, vases, toys. You bring something new into the world, like a god, but without the human need to be recognized for it. Is that happiness?”
Page 244 The idea of creation was delicious, pure pleasure, while the execution of that idea was so often an unendurable slog ending in tragic disappointment. So rarely could he realize the image in his mind, and even if he could, what would he do with it? Show it in an empty gallery next to the work of Peter-James Flemming?
Page 247 Shit, what if that happens to us? Every day in art should be like running down a hill, arms waving, shrieking. Not sitting at a desk writing down auction prices. Are they nice to you at least?”
Page 253 “And I haven’t done anything yet. At thirty everyone judges you, right? You need something to have happened before thirty. Otherwise you’re late and worthless and all is lost.”
Page 276 When we create well, the world is good, he thought. We’ve wrestled amorphous ideas into knowable shapes, we’ve improved—even glorified—flesh on canvas, we’ve made something greater than ourselves.
Page 343 But rarely did anything go to plan, and it was even rarer to have a work of art received as hoped. And so what was left? What was left, what was the only refuge, was the simple joy in creation. In making something appear. But Kyle was not joyful. And Olympia was not joyful. And the workers in the studio were there to pay for their lives outside the studio. And the billionaires who bought Kyle’s work were investors, not lovers. So together, everyone involved, from Cricket on up—they were all engaged in a kind of factory that made beautiful, unnecessary things that meant very little to anyone who made them.
Page 360 She was a muscular, angular being—a practical person
Page 369 It was only in seeing friends, also on their joined journey of decline, that he saw aging’s wretched work.
Page 381 God, look at this. What do you think: Is there just enough beauty in the world, or too much? You have only two choices.” “Too much,” he said. “Good answer,” she said, and stood in the water, motionless for a long while.
Page 409 The quiet and sacred world of now that he’d tended had been punctured, and the past was rushing through, filling the room.
Page 413 “And yet it didn’t matter,” she said. “All these things we did, if only we knew how little any one of them mattered. You could do a thousand things in a life.”
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